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On my team of 4 programmers, I am the only one who even knows that the four pillars exist. Getting any of them to use a property is near impossible, but reflection is in almost every program. Mind you, there are utility classes for email, sFTP, etc, but the class that uses them is C code consisting of inline functions with everything forced through the same path. Special cases requires switches everywhere they differ from the rigid flow. (carp mode off).
I have 5.5 years of OOP before this job and wish OOP was appreciated. The problem is that just like 'cheapest programmers', management is 'cheapest management' and no longer has the tech savvy to use the proper techniques. It is a self-feeding trend that I do not see changing. If a programmer can write code that stumps his coworkers, he gets a raise.
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I would argue that there are really five pillars of OOP and OOAD. Without loose-coupling, using the other four becomes spaghetti.
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charlieg wrote: it baffles me to the point of wanting to cut myself why encapsulation is ignored. Depending on what you cut with, and where, and how, you cut, it may violate encapsulation.
«... thank the gods that they have made you superior to those events which they have not placed within your own control, rendered you accountable for that only which is within you own control For what, then, have they made you responsible? For that which is alone in your own power—a right use of things as they appear.» Discourses of Epictetus Book I:12
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If you have just under 3 hours of spare time this is once of the better renditions of the The Matthew Passion[^].
Not quite as fast as Gardiner's version but well paced enough not to wonder when the next note is coming.
“That which can be asserted without evidence, can be dismissed without evidence.”
― Christopher Hitchens
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Something dark, but of course Music whise very good
It does not solve my Problem, but it answers my question
modified 19-Jan-21 21:04pm.
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Good one!
My parents used to listen to that one, especially during Christmas.
I've always felt it had a similar vibe to some of the movements in Vivaldi's four seasons (I never remember which ones) as well as Pachelbel's Canon In D Major[^].
Very beautiful and very relaxing
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I don't know why, but I always found it had a dubious ring about it ...
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You are Young I'm old [Edit]er[/Edit]
It does not solve my Problem, but it answers my question
modified 19-Jan-21 21:04pm.
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I've had my "early" music that predates you and me by a few centuries[^] period
I find the lute particularly relaxing
Fun thing, "classical" music can be divided in roughly three era's, baroque, classical and romantic.
Before that music isn't classical, but "early", which means from the renaissance period or the (even earlier) middle ages.
After the romantic period "classical" music somehow becomes "modern"
In the grand scheme of things your Eagles and Stones are like futuristic hypermodern
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I prefer the original by The Beatles from one of the best albums ever
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Let me just reply with this gem:
Whitesnake - Blindman - YouTube
One of my all time favourites
throughout my life, my two greatest assets have been mental stability and being, like, really smart.
modified 20-Oct-19 21:02pm.
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Whitesnake, I don't remember a bad song from them
It does not solve my Problem, but it answers my question
modified 19-Jan-21 21:04pm.
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Too dark for me
It does not solve my Problem, but it answers my question
modified 19-Jan-21 21:04pm.
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Also something "dark" but last but not least nice, I like it
It does not solve my Problem, but it answers my question
modified 19-Jan-21 21:04pm.
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Quote: I like it Glad to know ...
There is some musical quality in this track, and I like the story behind it
(remote cooperation between someone in Paris and someone in Tokyo … and the result is remarkable),
BR,
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Awesome song. My fave Beth & Joe tune is Close to My Fire, this is a close second.
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Nope. June 24th.
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